- #Who played bass on sugar sugar archies plus
- #Who played bass on sugar sugar archies series
- #Who played bass on sugar sugar archies tv
Two Amy Winehouse Box Sets Announced for This Year 1: The Early Years (1963-1967)' Takes Us Back to Joni Mitchell's Young Folkie Days “That’s all because the Monkees wouldn’t do my song and that got me pissed off.”Įlton John's Eight-Disc 'Jewel Box' Rewrites the Story of His Epic Career
#Who played bass on sugar sugar archies series
The band’s musical gatekeeper, the one most preoccupied with the TV-generated combo being allowed to write its own songs and play on its own records, Nesmith famously rejected “ Sugar, Sugar” - a bubblegum pop song as basic as it gets, brought to them by producer Don Kirshner.Īs the late Kirshner told RS in 2009, Nesmith’s dismissing of the song inspired him to turn to animation: “Mike said, ‘It’s a piece of junk–I’m not doing it.’ I came home and my son Ricky was reading Archie comic books.” Inspired by that sight, Kirshner flashed on turning the comic into a cartoon series - and having Archie, Jughead, Veronica and the gang perform the songs, instead of actual three-dimensional humans with opinions. Earlier this month, we lost the Monkees’ Michael Nesmith.
#Who played bass on sugar sugar archies tv
In an utterly accidental way, a box set devoted to the Archies, the infamous TV cartoon band of the Sixties, couldn’t have arrived at a timelier moment. It what it is, and what it is is fine in small doses.The-Archies-album-cover - Credit: Don Kirshner Productions We’ve had so much amazing music hit number one over the past decade, so perhaps we can cut this record some slack. Here you can’t help picturing a cynical record executive laughing and chucking wads of dollar bills in the air… “Who needs real people? Who needs real instruments? It’s mine! All mine!” We’ve had a pre-manufactured band from a TV show at #1 already, but it feels very unfair to compare The Monkees to this… They were real musicians who quickly broke away from their confines. We’ve had horrifying visions of an apocalyptic future, and now an equally pessimistic vision of the future of pop music. In fact, this is perhaps the icing on the cake for the cynical second half of 1969. Despite the fact that just two weeks ago we had simulated orgasms at #1, I’d have to say that ‘Sugar, Sugar’ is the more offensive record. Their records were recorded by session musicians, several of whom quit when they didn’t get any royalties from their hits. To me, they look like the ‘cast’ of ‘Scooby-Doo’ went and formed a band.
#Who played bass on sugar sugar archies plus
I’m glad when it’s over.Īdding to the sickly effect is the fact that The Archies were a cartoon band, plus a dog, that featured in their own TV variety show, ‘The Archie Show’. Pour a little sugar on me honey… Aw yeah… (maybe a young Def Leppard were listening.) All in all though, and I say this as someone who loves pop music, ‘Sugar, Sugar’ is a bit much. And the ‘ad-libs’ towards the end are fun. There are glimmers of hope here: the low-key verses contrast nicely with the all-out bubble gum of the chorus. ‘Candy Girl’, ‘Sweet Like Chocolate’, ‘Sugar Baby Love’… You can make quite the list… ‘Pour Some Sugar On Me’ (a classic, I won’t deny), ‘Brown Sugar’ (a filthy Stones’ take on the theme.) You catch my drift… We’ve already had ‘Sweets for My Sweet’ at #1, and there will be more to come. It’s one of pop music’s great clichés – love as candy. I just can’t believe the loveliness of loving you… I just can’t believe the wonder of this feeling too… After a couple of listens you start to get a sugar-headache. Candy floss, sherbet and a huge dose of saccharine for good measure. To be honest – ‘Sugar, Sugar’ is annoying, it’s simplistic, it’s basic… It’s bubble gum, and then some. Sugar – do-do-do-do-do-do… AAs a record, it is undeniably catchy…īut then so are crabs. Sugar, Sugar, by The Archies (their 1 st and only #1)Ĩ weeks, from 19 th October – 14 th December 1969 And when you hear the chorus, you begin to understand why… Eight whole weeks at the top, tying with Elvis’s ‘It’s Now or Never’ (1960) and The Shadows’ ‘Wonderful Land’(1962) for the honour of longest-running chart-topper of the decade. The second last #1 of the 1960s brings up one of its biggest hits.
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